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POTTER, Paulus Cows in a Meadow af Oil on canvas
Rijksmuseum, Amsterdam
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POTTER, Paulus Diederik Tulp af 1653
Oil on canvas
Collection Six, Amsterdam
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POTTER, Paulus Four Bulls qgq Oil on wood, 57,5 x 67,5 cm
Galleria Sabauda, Turin
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POTTER, Paulus Horses in a Field zg Oil on canvas
Rijksmuseum, Amsterdam
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POTTER, Paulus Peasant Family with Animals F 1646
Oil on wood, 37,1 x 29,5 cm
Alte Pinakothek, Munich
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POTTER, Paulus Resting Herd a 1652
Oil on oak, 35,5 x 46,5 cm
Gemäldegalerie, Dresden
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POTTER, Paulus Landscape with Shepherdess and Shepherd Playing Flute af 1642-44
Oil on wood, 67 x 114,5 cm
Museum of Fine Arts, Budapest
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POTTER, Paulus Landscape with Shepherdess Shepherd Playing Flute (detail) ad 1642-44
Oil on wood
Museum of Fine Arts, Budapest
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POTTER, Paulus The Spotted Horse af Oil on wood, 30 x 41 cm
Mus??e du Louvre, Paris
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POTTER, Paulus The Farm af 1649
Oil on panel, 81 x 116 cm
The Hermitage, St. Petersburg
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POTTER, Paulus Young Bull zg 1647
Oil on canvas, 236 x 339 cm
Mauritshuis, The Hague
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POTTER, Paulus Two Cows a Young Bull beside a Fence in a Meadow 1647
Oil on panel
Art Institute of Chicago
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POTTER, Paulus The Bull 1649
Gemäldegalerie, Berlin.
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POTTER, Paulus A Farm 1649
Oil on panel
The Hermitage, St. Petersburg.
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POTTER, Paulus Watchdog Oil on canvas
The Hermitage, St. Petersburg.
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POTTER, Paulus The Piebald Horse 1650-54
Oil on canvas
J. Paul Getty Museum, Los Angeles.
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POTTER, Paulus Two Drafthorses in Front of a Cottage (mk05) 1649
Wood 9 1/2 x 10 1/4''(24 x 26 cm)Seized in the Revolution INV
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POTTER, Paulus Peasant Family with Animals (mk08) 1646
Oil on panel
37.1x29.5cm
Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
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POTTER, Paulus Watchdog mk60
Oil on canvas
38x52"
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POTTER, Paulus A Farm mk60
1649
Oil on panel
32x45 1/2'
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POTTER, Paulus
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Dutch Baroque Era Painter, 1625-1654
Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,
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